Musical
knowledge
By way of introduction it is
necessary to clarify a basic notion.
What do we mean
by musical sound?
Nothing else, than a constant
sound of regular frequency.
Contrary to this is the notion
noise, or with other words clamor,
which is a mixture of sounds of irregular frequency.
Another fundamental question.
What is music?
All music is the mixture, the
blend of rhythm, melody and tone. These elements of music do not exist alone, but
musicology deals with them seperately – and so do we now. (The exception proves the rule: The drum-music sounding at the
dawn of humanity’s history is also called rhythm-music.)
According
to Charles Darwin (1809-1882) music evolved from the imitation of animals’
sounds.
According
to Rousseau, Jean-Jacques
(1712-1778) music and singing evolved from human speech.
Folklorists claim, that music
evolved from work, and instruments evolved from working tools.
Elements of music
Rhythm
Rhythm is a word of Greek
origin. It derives from the word rhüo – flowing, continuous.
In music: the relation of the
time span between sequential sounds; usually the beating of a process.
Rhythm organizes itself around
regular beating that musicians often imitate by stamping with their feet.
Rhythm does not only exist in music, but in many other phenomena. Rhythm exists
in speech, but mostly in poems; rhythm exists in heartbeats, breathing, the
marching of soldiers and in numerous natural phenomena.
Observation:
The musical
examples on this page – with very few exception – are not the whole tracks, only
short sections of music, in accordance with our age: “time is short.”
Motto: Pay attention to
the rhythm! enjoy the rhythm!
E x a m p l e s
1/ A techno-track, its title: Yeke-yeke. Mixed by DJ Budai, the author is Mori
Kanti.
2/ A disco-track
from the popular band of the 1970s, Boney M.
3/ A short section from the
30s’ swing-craze.
The meaning of the word: dynamism. It was a really popular dance in the
1930s, mainly in America.
We
can already state that rhythm emphasizes the quality of music in connection
with dance. 4/ Jean
Michel Jare’s composition titled: Magnetic fields is probably known by
many, where the rhythm is provided by a drum machine. It is a solely electronic
piece of music.
5/ In ragtime’s music a unique type of
rhythm beats. The word’s meaning: broken rhythm. It originates from last
century’s Negro folk music, and reached its peak in Scott Joplins works.
6/ I’m confident that everyone
is familiar with Johann Strauss Sr.’s composiotion, Radetzky-march.
7 We are getting closer to
“classical music”, when we listen to three extracts from the French composer’s,
Ravel’s Bolero,
which is built on an ancient Catalan melody, and a rhythm-pattern constantly
repeated on drums. The gradually richer orchestration gives this piece its
power and beauty.
8/ And now we listen to a
short section of a Beethoven-sonata (sonata). Beethoven is said to have taken
the rhythm from the sound of a galloping horse’s steps; of course this is not
scientifically proved.
09/
We are listening to music with Hungarian rhythm: Brahms’ VI. Hungarian Dance; though the composer
is German.
10/ Perhaps many are familiar
with the minuet of Haydn’s
Kettledrum symphony, here we can listen to a section from it. One may
even dance to it. Its time signature: 3/4, which was considered the most
perfect by the Greek.
11/ Beethoven’s II. movement of the VIII.
symphony is characteristic of
uniformly beating rhythm.
12/ Not all music’s rhythm
beats uniformly, or beats at all. We are listening to a section
of Bach: Goldberg-variations.
Glenn Gould plays the piano.
13/ We listen into the rhythm
of two “Gamelan-music” pieces, which guard the old tradition of the Bali-islands
/Indonesian archipelago/. We can only hear percussion instruments. You may read
more about this on the internet!
The melody What is melody? A word of Greek origin, from Greek melōidia: singing, from melos: song + -ōidia, from aoidein: to sing. Melody and rhythm
are music’s two central elements. In the Hungarian Explanatory
Dictionary melody is described as: “The rhythmic succession of musical notes of
altering height formed into unity.” – Naturally there are many more definitions. For me the following two are
the simplest and most beautiful: Mozart: “Melody is the
essence of music.” Hegel: Melody
is the free sounds of souls on the field of music.” Motto: Listen to the melody! E x a m p l e s 14 Let us listen to Christmas’
most beautiful melody in Elvis Presly performance.
15 A French chanson is next; singer:
Mirelle Mathieu.
16 The South-American folk
song El
Condor Pasa is widely known. Played by Hardy Fritz’s orchestra.
17/ As we may have observed,
so far most melodies have wave-movement, which can be proved by the following
Hungarian folk song: Csinálosi erdõn…
In
this simple folk song we can also observe, that the elevation of the melody is
mostly followed by a descent. In other interpretation: an upward moving energy
must be followed by a downward moving energy, and ultimately the energies are
balance. Let us pay attention to this as well! Balance
is a significant requirement in all arts. 18/ A simple and beautiful
example of balance is the first movement’s first theme of Mozart’s
piano concerto in C-major. The melody is really simple.
19/ Another example of balance:
a section of Schumann’s Daydream.
We
can point out: there are all
kinds of melodies. The number of melodies is immerse. No matter how long we
examine their inner structure, or how long we try to solve its mysteries, we
cannot come to any other and better conclusion that melody is the reflection of
a human soul’s emotional waves. True melody evolves from emotion, and creates
emotions in the listener as well; whether it fills our inner self with joy,
mends our sad hearts, or raises thought in our mind, it ennobles our souls. A
beautiful melody, which is to our liking, which we listen to again and again
with pleasure, either if its classical or light music, it is necessary. 20/ In the first
movement of Beethoven’s violin concerto in D-major, in the first theme’s
melody we can feel the energies pushing each other tightly. The downward moving
energy-arches of the repeating melodies sounding before the theme is succeeded
by the energy of the theme’s upward moving melody, and balance is created.
21/ Gregorian chants, which were sung
in churches, monasteries in the VIII.-IX. century, have interesting melodies;
they were sung in Latin without accompaniment. These melodies were unisonous
and rich in arches, and they were sung in freestyle form. We are listening to a
Hungarian Gregorian melody, its title: Rex Stephan – King
István.
22/ Our next example is a choral from,
Bach’s Matthew-passion.
This melody is very simple,
and can be described with a single word: magnificent. Let us read the choral’s
lyrics as well.
“When once I must depart, / Do
not depart from me; When I must suffer death, / Then
stand thou by me! When I most full of fear / At
heart shall be, Then snatch me from the
terrors / Of fear and pain by thy strength” Bach composed his church music
pieces with a deeply religious soul. His chorals are characteristic of
simplicity, absolute faith in God and Christian humility. The chorals were well
known by the members of the congregation during services, and they sand along
the church choir with all their heart. It is
important to know, that melody
cannot exist alone, it must have rhythm; meanwhile rhythm can exist without
having a melody. Many claim that music itself was developed from rhythm, as it
is music’s most ancient element. „In the beginning was rhythm.” - wrote
Richard Wagner. Primitive nations percussion instruments, drums primarily
provided rhythm, which can also be called rhythm-music. Thus rhythm is the
older, more naturalistic element, of which we can say it came from nature
itself, while melody is more human, because it stems from human emotions, human
soul – and this is why it is the most important element of music. Many claim
that without melody, there is no music. Now we will listen to a few
examples form Beethoven’s symphonies. 23/ I.
symphony III. movement. The melody of this Trio is very simple. Contemporary
criticism wrote the following: “a
sounding indescribably sweet”.
24/
IV. symphony II. movement. An
intimate, poetic melody with an unusually long arch. The movement begins with
the so called beating-motif, which is repeated on full orchestra in fortissimo
at the end of the melody.
25/
IV. symphony IV. movement. We are
listening to the first and second theme of the exposition as well. The latter
begins on oboe. In the mean time, pay attention to the rhythm too. The first
theme is the so called “perpetuum-mobile” theme.
26/ We are listening to the
first theme, and the two variation development of the first theme from the VI. Pastorale symphony’s V. movement. We can
observe Beethoven’s development method, where he composes a melody from motifs
consisting of a few notes, then in variation form elevates it to the rank of
hymns.
27/
Beethoven Opus 90 piano sonata II. movement. We are listening to a
beautiful melody that instantly grabs our attention; intimate, poetic, and
tends toward romanticism.
Again we must point out that
there are countless melodies, but our time is finite, so now we will move on to
take a journey into the empire of dynamics and tone; more precisely, listen to
some sections of a few musical pieces. Index choral, /originally a Greek word/, Ger – protestant church
folksong, <back the Passion, lat – torture, rel. – part of
the Gospel in which the events around Christ’s death on the cross is told, music
– oratory of Christ’s torture, a lasting musical genre since the IV. century <back sonata, it – literally: piece played on a
musical instrument; musical genre; „mostly” consists of three movements; after
developing for three hundred years it reaches its climax in classical music
(the phrase sonata form means something entirely different: it refers to the
structure of the music) < back